When using PITCHMAP under MIDI control, this means that all down-stream plug-ins are run on the same core as PITCHMAP whenever its software instrument track is selected and the record enable switch is lit. In Logic Pro, all processes that are fed by a live source are processed on one CPU core.Quit any open applications that are not needed.Try closing the GUI of any plug-in that you don't currently need to have visual feedback on.In Logic Pro, this also includes the "Process Buffer range" parameter. Try increasing buffer sizes in your host software to their largest values, then gradually bring them back down until you find a suitable balance between latency and CPU load.
Here are a couple of suggestions how you can avoid CPU overloads: use PITCHMAP.ĭepending on your field of work, you may want to have all three of them.PITCHMAP does some very complex mathematics, and thus uses a considerable amount of CPU processing time.
If you need to tune or change the pitches of a full mix or other complex polyphonic signal in real-time and under MIDI control, while retaining all the transient crispness of any percussive elements, or if you want to create far-out sounds, or if you want to try out different harmonies on your loops and recordings from within the creative, musical workflow.If you need to fine-tune or manipulate a single but polyphonic instrument, or a section of instruments, and using off-line editing doesn't break your workflow, use Melodyne.If you need to tune a solo vocal take or other monophonic instrument, use Auto Tune.So how does PITCHMAP compare to other pitch processing products, like Celemony's Melodyne Editor or Antares' Auto Tune? In a nut-shell: it doesn't. They have different applications and strengths, and complement each other nicely.
Mash-Up artists and Re-Mixers now spend minutes instead of hours (or days) adapting the components they use to fit each other.Sound designers get a bunch of unique new ways of creating the sounds that make the films and games of today so immersive.DJs can adapt the key/scale of their songs to fit into a seamless set Zynaptiq is the company behind ZTX in DP and other apps: pg 921 of the DP 10.1 user manual: Digital Performer’s ZTX time-stretching and pitch-shifting technology has been developed by (and licensed from) Zynaptiq GmbH ().Music producers that work with sampled material can now sculpt the music inside the samples as if they were clay in the hands of a potter.Composers can try different harmonies for their works in an immediate, hassle-free and inspiring manner.Engineers can correct tuning inaccuracies in mixed recordings.In short, it is an inspiring musical instrument, a precision corrective tool and the only processor that literally lets you shape music with your hands. It lets you change the melodies and harmonies of any recording by simply playing your own on a MIDI keyboard or creating a pitch map using our stream-lined GUI, and optionally corrects any tuning issues at the same time.Īs if that weren't enough, PITCHMAP provides functions to suppress individual sounds within a mix, and can apply advanced synthesizer-like sound transformations to your audio. PITCHMAP is the world's first and only plug-in that allows processing the pitch of individual sounds within mixed signals in real-time.